Sunday, 20 August 2006

Happiness is...

Sunday, 20 August 2006 07:26 pm
da: A smiling human with short hair, head tilted a bit to the right. It's black and white with a neutral background. You can't tell if the white in the hair is due to lighting, or maybe it's white hair! (Default)
Today, happiness is: going to a great movie (review to follow), a beautiful bike ride home, and being greeted by the smell of roast duck for dinner. And, of course, having said duck breast, along with good conversation with [livejournal.com profile] melted_snowball.

All of this was preceeded by three hours of sorting annoying recepts, discovering that Intuit has stopped making Quicken Mac for Canada (bastards!), and discovering a smelly patch of carpet that needed to be carpet-cleaned (God knows what that was).

However, on the whole, I feel pretty lucky today.
da: A smiling human with short hair, head tilted a bit to the right. It's black and white with a neutral background. You can't tell if the white in the hair is due to lighting, or maybe it's white hair! (Default)
Now that I'm done cleaning up from dinner...

It's too bad that Leonard Cohen can't sing worth a damn. Fortunately, just about everyone else is happy to back him up- or, sing his songs without him. And the result is magic. Cohen's possibly my favourite songwriter, or at least in the top few.

I'm Your Man features 15 or so of Cohen's songs, sung by Rufus Wainwright, Beth Orton, Antony, Nick Cave, plus others, and oh yeah, concluding with Tower of Song with U2 backing up on backup. Roughly 1/3 of the film is interviews with Cohen, which has some interesting biography about him becoming a Buddhist monk, family, and how he's really not that much of a lady's man. Er, yeah.

High-points of the movie for me were: Rufus Wainwright singing Everybody Knows and Antony singing If It Be Your Will (The latter is a clip on the movie website). Both of these were stunningly beautiful once they got going (Antony, who was dressed in a holey fishnet-like overshirt, was a bit visually distracting for the first part of his song, but wow he can sing.)

There were a few low-points: the production was a bit odd. A few times, they felt they needed to echo what Cohen had just said, which was distracting. The framing was too close. I really didn't need to be focused on Cohen's nose quite so often. Finally, while I like Nick Cave's music (especially his Cohen covers), for some reason this time he decided to jazz things up, which I didn't particulary care for.

This was worth seeing on the big screen.

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