Theatre/Concert review: Spin!
Sunday, 27 March 2011 09:22 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
daFriday evening, I popped down to Toronto for a cabaret/theatre/concert production of Spin by Evalyn Perry. I wasn't sure what to expect; I knew it involved spoken word, singing, and music played upon a bicycle. I was nudged into going by my friend John, who came all the way from Minneapolis for this show. I know Evalyn from Quaker circles; last summer, she was one of the evening plenary presenters at the 1,000-person FGC Gathering. She does a political/musical show that's bitingly clever and often requires more than one listen to pick up all the threads...
In retrospect, I wish this production was extended for another week, so I could nudged more people into going- this afternoon was the last performance (a matinee added at the last minute because it was selling out).
The themes were, broadly, the story of Annie Londonderry, the first woman to bicycle around the world at the very end of the 19th century; the joined history of bicycling and feminism; Evalyn's personal story of being a cyclist and artist; and notes on the City of Toronto's mixed appreciation for bicycles.
I *had* thought that the music-played-upon-a-physical-bicycle would be less effective than it was. Her co-performer, Brad Hart, used drum sticks, his hands, and parts of the bicycle, which was wired for amplification, and attached to a looping device. I spent maybe 5 minutes distractedly studying how it worked- they even tuned different spokes to different pitches- but then I could just let go and listen to the music he was making with Evalyn (and Anna Friz, who did on-stage mixing and singing).
Evalyn produced a CD of the songs in the concert; this morning I drove to Guelph, and I appreciated the irony of driving while listening to a CD all about bicycling.
The Globe and Mail gave it 3 out of 4 stars. And she has a cover article in the weekly Xtra paper, which is a good recap of the show, actually.
So- Thanks Evalyn! And thanks, John, for nudging me to come!
In retrospect, I wish this production was extended for another week, so I could nudged more people into going- this afternoon was the last performance (a matinee added at the last minute because it was selling out).
The themes were, broadly, the story of Annie Londonderry, the first woman to bicycle around the world at the very end of the 19th century; the joined history of bicycling and feminism; Evalyn's personal story of being a cyclist and artist; and notes on the City of Toronto's mixed appreciation for bicycles.
I *had* thought that the music-played-upon-a-physical-bicycle would be less effective than it was. Her co-performer, Brad Hart, used drum sticks, his hands, and parts of the bicycle, which was wired for amplification, and attached to a looping device. I spent maybe 5 minutes distractedly studying how it worked- they even tuned different spokes to different pitches- but then I could just let go and listen to the music he was making with Evalyn (and Anna Friz, who did on-stage mixing and singing).
Evalyn produced a CD of the songs in the concert; this morning I drove to Guelph, and I appreciated the irony of driving while listening to a CD all about bicycling.
The Globe and Mail gave it 3 out of 4 stars. And she has a cover article in the weekly Xtra paper, which is a good recap of the show, actually.
So- Thanks Evalyn! And thanks, John, for nudging me to come!
